Our House Crosby Stills Nash Midi File

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.Years active1968–1970, 1973–2015Labels,Associated acts,WebsiteMembersCrosby, Stills & Nash ( CSN) was a vocal made up of American singer-songwriters and and English singer-songwriter. They were also known as Crosby, Stills, Nash & Young ( CSNY) when joined by Canadian singer-songwriter, who was an occasional fourth member. They were noted for their intricate vocal harmonies, often tumultuous interpersonal relationships, political activism, and lasting influence on.

Crosby, Stills & Nash were inducted into the and all three members were also inducted for their work in other groups (Crosby for, Stills for and Nash for ). Neil Young has also been inducted as a solo artist and as a member of Buffalo Springfield. Main articles:, andBetween September 1970 and May 1971, each of the quartet released high-profile solo albums: Young's in September (which peaked at #8 and included his first Top 40 solo hit, 'Only Love Can Break Your Heart' #33); Stills' in November; Crosby's in February, and Nash's in May. Although all four solo LPs placed in the Top 15 on the, Stills' entry (including two Top 40 hits, 'Love the One You're With' #14 and 'Sit Yourself Down' #37) peaked the highest at #3. Stills was the first to release a second post-CSNY solo album, 1971's, which included two minor hits ('Change Partners' #43; 'Marianne' #42) and peaked at #8.

In the fall of 1971, Crosby and Nash embarked on a successful theater tour accompanied only by their acoustic guitars and a piano, as captured on the 1998 archival release.1972 proved to be another fruitful year for all the band members in their solo or duo efforts. Young achieved solo superstardom with the chart-topping and two Top 40 singles, the #1 hit ' and ' (#31). Stills joined with former to form the band, releasing a self-titled double album; although it did not generate any significant hits, counting the three CSN/CSNY records, became Stills' sixth Top Ten album in a row, peaking at #4. Nash and Young released Young's ' as a joint single to support 's presidential campaign; despite their intentions, the single failed to make a serious impression. Meanwhile, Nash and Crosby's touring was so successful and pleasant for them that they recorded and released their first album as a duo, which eclipsed their recent solo efforts with a Top 40 hit (Nash's ' #36) while also peaking at #4.The group members fared less well in 1973.

Young recorded two dark albums. The first, chronicled his winter tour that followed the death of his Crazy Horse bandmate from an alcohol/ overdose, a tour Crosby and Nash joined mid-way. A critical success despite his personal misgivings, it attained a RIAA gold certification before stalling at #22. The second album, was so dark that refused to release it until 1975.

Although it is widely regarded as his, it only reached #25. Crosby spearheaded and produced a of the original Byrds quintet which was a notable critical failure upon its release in March 1973. The most commercially successful Byrds album since 1966, it sold only marginally well by CSNY's standards, peaking at #20.

Stills released a in April 1973 and Nash recorded his (released in January 1974); again, neither disc sold to expectations, peaking respectively at #26 and #34. In June and July 1973, Crosby, Stills, Nash, and Young met at Young's ranch in California and a recording studio in Hawaii for a working vacation, ostensibly to record a new album, tentatively titled Human Highway.

However, the bickering that had sunk the band in 1970 quickly resumed, scattering the group again.Reconciliation and further estrangement. Stills (left), Crosby and Nash in 1974.After spontaneously reconvening for an acoustic set at a Manassas concert at San Francisco's in October, the quartet failed once again to commit to a reunion; however, three days later, the CSN configuration performed an acoustic set at another Manassas Winterland show. Over the next few months, Roberts finally prevailed upon the group to realize their commercial potential, culminating in Stills announcing a CSNY summer tour and the projected studio album at a solo concert in March 1974. The quartet in earnest that summer, with sidemen on bass, on drums, and on percussion, to rehearse at Young's ranch near before embarking on the two-month, 31-date tour.The tour was directed by San Francisco-based impresario. Fresh off the large-scale indoor arena tour he had developed for 's earlier in the year, Graham interspersed now-routine arena bookings (including and ) with large-scale concerts that exploited the capacity of and stadia (such as the and ), directly presaging the 'stadium rock' milieu that was rapidly normalized following the success of Graham's series. In line with the new scale of the performances, the band typically played up to three and a half hours of old favorites and new songs. Opening acts included such luminaries as Mitchell (who occasionally sat in during the acoustic and semi-acoustic interlude that bridged two electric sets), and.In particular, Crosby was disillusioned by the bombastic nature of the performances, which he collectively dubbed the 'Doom Tour': 'We had good monitors, but Stephen and Neil were punching well over 100 db from their half stacks.

Graham and I simply couldn't do the harmonies when we couldn't hear ourselves. Also, when you play a stadium you almost have to do a where you wave a sash around and prance about. I can't quite do that. We did what we could, but I don't know how many people in the audience really got it.

A lot of them were there for the tunes. When we'd start them, they'd hear the records.' Graham Nash's unreleased film of the show highlights the scope and quality of these performances. They opted at the time not to release any recordings of the tour for an album, with Nash maintaining that 'the main feeling at the end of the tour was that we weren't as good as we could have been.'

(Decades later, to mark the tour's 40th anniversary in 2014, Nash and archivist selected songs from the five shows that had been properly recorded and released.). 2006 'Freedom of Speech' tour. One of the backdrops, as shown here, was the photos of American soldiers who had died in the war in Iraq.In 2006, Crosby, Stills, Nash and Young set off on their Freedom of Speech Tour in support of, a Young solo album written in response to the. The long setlists included the bulk of the new protest album as well as material from Stills' long-delayed solo album and from Crosby and Nash. On May 16, 2006, Crosby, Stills & Nash were honored as a Icon at the 54th annual BMI Pop Awards.

They were honored for their 'unique and indelible influence on generations of music makers.' In February 2007, CSN were forced to postpone a tour of Australia and New Zealand due to David Crosby's illness. Also in 2006, long-time manager Gerry Tolman died in a car accident.The trio performed 'Teach Your Children' on on July 30, 2008, with host filling in the fourth harmony (Neil Young's portion) and wearing a Young-mocking outfit and being referred to by Nash as 'Neil'. In 2009, Crosby, Stills & Nash released, an album made up of demo recordings of popular group and solo songs.

In June 2009 Crosby, Stills and Nash performed at the. Stephen Stills was praised for his exceptional guitar playing.

Neil Young did not appear onstage with them but did perform as a solo artist. In July 2009, they headlined the 14th annual festival. Halfway through their set, they enthusiastically announced to the crowd that they would be back next year.CSN convened with producer to record a projected covers album (tentatively titled Songs We Wish We'd Written) under the aegis of in 2010; seven songs were completed before the dissolution of the sessions due to the increasingly acrimonious relationship between Rubin and Crosby, who perceived the former as a disruptive and autocratic figure in the creative process.

By 2012, CSN had completed five self-produced re-recordings in anticipation of a potential rights dispute over the Rubin sessions with Sony.Crosby, Stills & Nash toured the United States, Australia, New Zealand and Brazil in 2012 and released a 2CD/DVD entitled on July 17, 2012. Further tours of the United States and Europe followed in 2013 and 2014.Crosby, Stills, Nash and Young performed an acoustic set at the 27th on October 27, 2013; as of 2018, the performance is that configuration's final concert to date., an anthology culled from hitherto unreleased recordings of the 1974 tour by Nash and longtime band archivist Joel Bernstein, was released by on July 8, 2014 to widespread critical acclaim.

In a September 2014 interview with the, Crosby dispelled rumors of another CSNY tour (citing Neil Young's general unwillingness and lack of financial incentive to perform with the ensemble) before characterizing Young's new partner as 'a purely poisonous predator.' While introducing a song during a solo performance at the on October 8, 2014, Young announced that 'CSNY will never tour again, ever. I love those guys.' Two days later, Crosby confirmed that 'Young is very angry with me' and likened Young's remarks to 'saying there are mountains in.' Crosby made further comments, including that he apologized on. On May 18, 2015, Crosby apologized publicly to Hannah and Young on, saying 'I'm screwed up way worse than that girl.

Where do I get off criticizing her? She's making Neil happy. I love Neil and I want him happy,' and 'Daryl, if you're out there, I apologize. Where do I get off criticizing you? There are people I can criticize: politicians, pond scum. Not other artists that have gone through a hard life, same as me.

She hasn't had it easy either.' Despite the unprecedented tumult between Crosby and Young, CSN embarked on a routine world tour encompassing American, European and Japanese venues in 2015, culminating in a performance of ' at the United States lighting ceremony at in on December 3, 2015.

However, contrary to a previous November 2015 interview in which he stated he still hoped the band had a future, Nash announced on March 6, 2016 that Crosby, Stills & Nash would never perform again because of his recent estrangement from Crosby following his own divorce. In the summer of 2016, Young told Rolling Stone that he wouldn't 'rule out' future collaborations with the trio; according to Nash in a follow-up interview, 'Well, he's right, you never know. There have been times when I've been so pissed at us all for wasting time and not getting on with the job that I wouldn't talk to any of them. But if Crosby came and played me four songs that knocked me on my ass, what the fuck am I supposed to do as a musician, no matter how pissed we are at each other?' Young echoed these sentiments in a January 2017 interview: 'I think CSNY has every chance of getting together again. I'm not against it.

There's been a lot of bad things happening among us, and a lot of things have to be settled. But that's what brothers and families are all about.

We'll see what happens. I don't think I'm a major obstacle.' When queried about Young and the interview on Twitter shortly thereafter, Crosby said that Young is 'a hugely talented guy' and a prospective reunion would be 'fine with me.' In April 2017, Nash framed the potential reunion in the context of the group's tradition of political activism amid the presidency of and the ascent of the: 'I believe that the issues that are keeping us apart pale in comparison to the good that we can do if we get out there and start talking about what's happening. So I'd be totally up for it even though I'm not talking to David and neither is Neil. But I think that we're smart people in the end and I think we realize the good that we can do.'

Political activism. CSNY during their 2006 tour; L to R:, Tom Bray, andCSNY's music unerringly reflected the tastes and viewpoints of the in the late 1960s and early 1970s. With protest against the gearing up in 1970, the group (and Crosby in particular) made no secret of their political leanings.As a group, they recorded one hit song in response to political events although they recorded other political songs as solo artists and in various combinations. The song, 'Ohio', was written in response to the. The students were shot by during an anti-war protest on the campus in May 1970.The release of ' marked the boldest musical statement made to that date regarding the, calling out by name and voicing the counterculture's rage and despair at the events. Between 'Ohio', their appearance in both the festival and movie of, and the runaway success of their two albums, the group found themselves in the position of enjoying a level of adulation far greater than experienced with their previous bands, as evidenced by the 27 Platinum certifications they received across seven albums.

The band has been continuously associated with political causes throughout its existence, the latest example being the song 'Almost Gone (The Ballad of Bradley Manning)' which focuses on the length and conditions of 's pre-trial confinement.Despite their estrangement, Crosby, Nash, and Young were all vocal in their support for.Influence The collective abilities allowed CSNY to straddle all the of popular music eminent at the time, from to confessional ballads, from acoustic guitars and voice to electric guitar, and three-part harmony. With break-up made public by April 1970, and with in reclusive low-key activity since mid-1966, CSNY found itself as the adopted standard bearers for the, serving an importance in society as counterculture figureheads equaled at the time in rock and roll only. Producer wanted CSN to create the soundtrack for, but director nixed the idea.

Stills' offering, ' (on the flip side of 'Ohio'), was the only song known to be offered for the soundtrack.An entire sub-industry of in California either had their careers boosted or came to prominence in the wake of CSNY. Many of these musicians lived in or near in California. These artists include, and the. David Geffen formed in 1971 to record and sell the works of many of these individuals and groups, a time when CSNY was at the height of its popularity and commercial appeal.Members. — lead and harmony vocals, guitar. — lead and harmony vocals, lead and rhythm guitar, bass guitar, keyboards, percussion. — lead and harmony vocals, guitar, keyboards.

— lead and harmony vocals, lead and rhythm guitar, keyboards, harmonicaDiscography. Main article:For individual discographies, see entries on,. Valdez, Steve (2013). In Stacy, Lee; Henderson, Lol (eds.). Encyclopedia of Music in the 20th Century. P. 223. (1984).

The Noise: Notes from a Rock 'N' Roll Era. P. 217. George-Warren, Holly; Romanowski, Patricia, eds. The Rolling Stone Encyclopedia of Rock & Roll (3rd ed.).

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Crosby stills nash songs

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Crosby Stills Nash Songs

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Retrieved 21 September 2015. Retrieved 2015-08-24.Bibliography. Zimmer, Dave, and Diltz, Henry. Crosby Stills & Nash: The Authorized Biography (First edition), St. Martin's Press, 1984.

Crosby, David, and Gottlieb, Carl. Long Time Gone (First edition), Doubleday, 1988. McDonough, Jimmy. Shakey, Neil Young's Biography (First edition), Random House, 2002. Nash, Graham. ″Wild Tales: A Rock & Roll Live″ (First Edition), Crown Archetype, 2013.External links Wikimedia Commons has media related to.Wikiquote has quotations related to:.

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