Half Life 2 Cat
View, comment, download and edit half life 2 Minecraft skins.
Half-Life 2's cat mishap is probably a reference to that scene, although in the film the cat does not reappear and is lost somewhere between the two teleports, while the baboon replacing it in the remake fits better Barney's remark in the original teleportation sequence, the animal being turned into a dying, deformed monster. Half-life 2 Episode Three will be the next Half-Life game created by Valve. It is not known if there will be an official Half-Life 3. Originally, Gabe Newell planned the Half-Life 2 episodes to.
. WW: June 28, 2013Mode(s)Half-Life 2: Lost Coast (stylized as HλLF-LIFE 2: LOST COAST) is an additional for the 2004. Developed by, it was released on October 27, 2005, through the content delivery service as a free download to owners of the version of Half-Life 2.
Lost Coast serves as a, specifically showcasing the implemented in the. The level was designed with a variety of appropriate environments to emphasize these effects. In addition, Lost Coast was the first video game developed by Valve to allow developers to explain various elements of design as the player progresses through the level.Lost Coast follows Half-Life protagonist as he travels up a coastal cliff to destroy a headcrab artillery launcher in a monastery, which is firing on a nearby town, Saint Olga. The Lost Coast level was originally created for Half-Life 2, but was ultimately removed from the game. As a result, it has several minor story details that were not included in Half-Life 2.
The level received a generally positive reception, and there was consensus among reviewers that the new features included in Lost Coast should be integrated into future games released by Valve. See also:Lost Coast uses the same gameplay mechanics as Half-Life 2.
The game is viewed from the perspective of the, and plot information is imparted through scripted sequences rather than. A at the bottom of the screen shows the player's, energy gauge, and ammunition status, while available weapons are shown at the top. Health and armor energy can be replenished by picking up medical supplies and energy cells respectively, or by using wall-mounted charging devices.
The player character is equipped with a small armory of weapons from Half-Life 2 at the beginning of the level, including a pistol, shotgun, crossbow,. The gravity gun allows the player to manipulate physical objects in the world; it can be used to pick up nearby objects and throw them at enemies or create cover from enemy fire. The gravity gun can also be used to perform several non-combat functions, such as grabbing out-of-reach supply crates. The of the Byzantine Christian church in Lost Coast, which Valve artist Viktor Antonov called a 'great showcase for 'Half-Life 2: Lost Coast opens with the protagonist, finding himself near a group of decaying piers, underneath a set up on rocks and overlooking the small town of. A fisherman recognizes Gordon and directs him to the monastery, which the enemy are using as a platform to launch artillery shells filled with into the town. The fisherman opens a gate, allowing the player to proceed, and awaits Gordon's return.As Gordon proceeds up the cliffside to the monastery, he encounters heavy resistance from Combine soldiers who rappel down the cliff to try to stop him. Gordon fights his way up, enters the church's, and disables the artillery launcher.
This alerts nearby soldiers, who assault the sanctuary in force, while a Combine arrives to support the soldiers. After defeating the soldiers in the courtyard, Gordon moves to scaffolding over the side of the cliff and destroys the helicopter with. The helicopter crashes into the scaffolding, freeing up a path to a crude elevator which lowers Gordon back down to the pier. The fisherman congratulates Freeman on his success, invites him to a feast in St. Olga, and the screen fades out.
As the level ends, the fisherman exclaims that Gordon is 'getting all fuzzy 'round the edges'. Development Level design Lost Coast was conceived as a part of the Highway 17 chapter in Half-Life 2 (Highway 17's development name was 'Coast', hence the name 'Lost Coast'), but was later discarded during development. As a result, Lost Coast features minor storyline details that were removed from Half-Life 2, such as the headcrab artillery launchers. Each area of the level was designed with a specific purpose. An was deliberately chosen for the monastery, as buildings of this type 'are very colorful and have a large variety of materials' and are 'often lit naturally, with extremes of darkness and brightness,' providing an ideal showcase for the HDR lighting effects.
Valve also thought that the use of a monastery would help provide a starker contrast between old human architecture and futuristic Combine technology found within it. The cliffside that leads to the monastery had a gameplay-oriented purpose, and was meant to emulate a similar cliffside combat scene in. The cliffside also forces the player to be observant of threats from above and below, breaking from normal horizontal combat. The monastery's courtyard was designed as an area where the player recovers from the cliffside combat, while also presenting a contained combat arena later in the level in which the player must hold their ground while they are attacked from multiple directions. High-dynamic-range rendering. A comparison of standard fixed-aperture rendering (left) with HDR rendering (right) in the Source engineThe goal of Lost Coast was to demonstrate the new implemented into the.
Valve first attempted to implement high-dynamic-range rendering in Source in late 2003. The first method stored textures in, allowing for and to be used, but this prevented and fog effects from working properly, as well as making textures appear sharp and jagged. The second method involved saving two versions of a texture: one with regular data, and the other with overbrightening data. However, this technique did not allow for multisample anti-aliasing and consumed twice as much memory, making it infeasible. The third method, shown at the in 2005, used data to define the, allowing for reasonably efficient storage of the high-dynamic-range data.
Half Life 2 Cat Food
However, this method also did not allow for multisample anti-aliasing, and was only compatible with video cards, leaving cards unable to run high dynamic range. The fourth and final method compromised between the second and third methods, using overbrightening textures sparingly and allowing ATI cards to render HDR in a different way to the Nvidia ones while nearly producing the same end result.The final version of Valve's high-dynamic-range technology adds a significant number of lighting effects to the engine, aimed at making the game appear more realistic. Was introduced, blurring bright edges in the game world and emulating a camera's overexposure to light.
This is combined with to tailor the effect to represent the. For example, as the player exits a dark area into a light area, the new area is initially glaringly bright, but quickly darkens, representing the adjustment of the player character's eyes to the light. New techniques allow the reflection cast by an object to correspond with the brightness of the light source, and enable light bouncing and global illumination to be taken into account in the rendering. Effects were added to make light account for the physical attributes of an object and to emulate the way light is reflected by water. The Lost Coast level is specifically designed to showcase these effects. It uses the sea and beach as opportunities to demonstrate water-based effects, the monastery to demonstrate bloom from its whitewash walls, and the sanctuary to provide the means to show refraction through stained glass windows and cube maps on golden urns and candlesticks.As a technology showcase, Valve considered Lost Coast to have very demanding system requirements.
The game runs on computers with specifications lower than what is recommended, albeit without some key features such as high dynamic range. If a non-high-dynamic-range-capable card is used, the developer commentary is changed slightly to reflect this. For example, Valve president would describe the effects that are seen in a different manner. Commentary system In addition to a showcase for visual improvements, Lost Coast acted as a testbed for Valve's commentary system. When the feature is enabled, additional items appear in the game that can be interacted with to play an audio commentary. Each audio piece ranges from ten seconds to a minute of commentary.
Players hear the developers talk about what the player is seeing, what is happening, why they made certain decisions, and what kinds of challenges they faced. Commentary tracks are represented by floating speech bubbles called commentary nodes. Valve intended for players to first play the level with commentary disabled, and after completing the level, play it again with commentary enabled, learning about each new stage as they progress.
The company has since made the commentary system standard in all of its later video games. Release and reception Lost Coast was released on October 27, 2005, as a free download from Valve's content delivery service to anyone who purchased Half-Life 2. People who received Half-Life 2 as a gift from Valve's online store were not eligible to download the level. Valve announced on May 30, 2007 that Lost Coast, along with, would be made available for free to owners of ATI cards. It was later released without charge to graphics card owners along with Half-Life 2: Deathmatch, and the first eleven levels of.Lost Coast was generally well received by video game critics. Enjoyed the amount of detail, including the graphics, puzzles, and intelligent enemies, saying, 'Valve just packed more atmosphere into a tiny snippet than most shooters muster, period.'
The review also praised the level's commentary system, calling it an informative addition, and enjoyed the interesting and insightful comments made by some of its creators. The level satisfied because 'it would be harder not to enjoy this level in all its beautifully rendered glory—even after you've broken all the windows and spattered the walls with Combine blood,' and commented that 'the textures in Lost Coast are noticeably more detailed and numerous than in the retail game.' The review concluded hoping that the features introduced in Lost Coast would be included in Valve's future releases.Negative reaction to the game focused on its length and gameplay. 1UP.com and UGO both considered it short; Shawn Elliott of 1UP.com described it as 'a lickety-split run through postcard-pretty tide pools, up cliffs, and into a church turned Combine outpost'. UGO's Nigel Grammer stated that Lost Coast 's gameplay seemed to be secondary to the level's graphics. Lost Coast 's gameplay disappointed of GameSpot, who compared it to that of and considered them to be very similar, saying that it 'isn't going to set the world on fire'. Half-Life 2: Lost Coast.
Viktor Antonov: Churches are great dramatic spaces. They're often lit naturally, with extremes of darkness and brightness, which makes them a great showcase for HDR. Gothic churches are the sober, monochromatic spaces that you've seen in almost every horror movie or game. Byzantine churches, on the other hand, are very colourful and have a large variety of materials. We wanted that color & material variety to show off our HDR reflections. (2005). Half-Life 2: Lost Coast.
Viktor Antonov: We also like to focus on contrasting elements in our settings, like ancient human architecture and futuristic Combine technology. A monastery fit these requirements perfectly. Monasteries are generally isolated, unlit, and built ages ago. They provide a great backdrop for the contrasting Combine technology. (2005).
Half-Life 2: Lost Coast. Robin Walker: We were particularly happy with the vertical cliffside in Half-Life 1, and regretted that we didn't iterate further on that concept in Half-Life 2. Vertical space allows us to force the player to deal with threats from above and below. We find that players focus their view on the direction they're travelling, so by using a cliffside, and having the player ascend it, we ensure the player will look up and be prepared for enemies. If the player's path was to move past the bottom of the cliffside, it would be unlikely he would notice the soldiers rappelling down from above.
(2005). Half-Life 2: Lost Coast. Robin Walker: The courtyard in front of you is a space we call an Arena. Arenas are built to hold the player for a period of time, and usually contain combat or some other challenge. They often have multiple entry-points for enemies, along with a gate of some kind to prevent the player moving on, until the challenge has been completed. In this case, the arena is free of enemies until the player solves a puzzle, and triggers an alarm.
The break in action here is also a crucial part of the level's pacing. It allows the player to recover and explore the world a little, after being attacked on the way up the cliffside.References. Archived from on November 13, 2012. Retrieved November 21, 2008. Archived from on April 26, 2013.
Retrieved November 21, 2008. Accrado, Sal (October 28, 2005).
From the original on October 11, 2012. Retrieved October 17, 2008. Lee, Garnett (2005-08-29). Archived from on 2011-05-22. Retrieved 2008-11-20. ^ Reimer, Jeremy (September 15, 2005). From the original on January 29, 2009.
Retrieved November 21, 2008. ^ Richards, Geoff (June 14, 2005).
From the original on February 1, 2009. Retrieved November 20, 2008.
Half Life 2 Cat Achievement
Richards, Geoff (June 14, 2005). From the original on December 4, 2008. Retrieved November 20, 2008.
Richards, Geoff (June 14, 2006). From the original on February 16, 2008.
Retrieved November 20, 2008. Bramwell, Tom (October 28, 2005). From the original on September 19, 2012. Retrieved November 20, 2008. ^ Shoemaker, Brad (July 28, 2005).
From the original on November 3, 2012. Retrieved October 17, 2008. Archived from on October 10, 2012. Retrieved November 21, 2008.
Richards, Geoff (September 14, 2005). Archived from on February 14, 2008. Retrieved November 21, 2008. August 5, 2005. From the original on February 14, 2012. Retrieved October 17, 2008.
Pinckard, Jane (October 27, 2005). Archived from on 2007-10-31.
Retrieved November 20, 2008. Valich, Theo (May 30, 2007). The Inquirer. Archived from on April 15, 2008. Retrieved May 31, 2007. Swinburne, Richard (January 10, 2008).
From the original on June 15, 2011. Retrieved November 29, 2008. ^ Elliott, Shawn (October 28, 2005). Archived from on 2011-05-24. Retrieved November 20, 2008. ^ Grammer, Nigel. Archived from on June 15, 2011.
Retrieved November 20, 2008.External links. preview.
CheatEffectgodGod ModenotargetEnemies Ignore YounoclipNo Clipping ModegiveGet ItemhurtmeDamage Playerimpulse 101Give All Weaponsimpulse 102Skullsimpulse 76Gruntimpulse 82Spawn a Jeepimpulse 83Spawn AirboatbuddhaReduce HealthmapsList MapsnpckillKill All NPCs in AreanpccreateCreates an NPCnpccreateaimedCreates an NPC aiming away from the player.hudquickhelp/text? 1Shows crosshairchcreateairboatSpawn AirboatmapLoad Specific Mapcldrawhud 1Toggle HUD display Onclenablehud 1Toggle HUD display Onclshowfps 1Shows FPS RatesetposMove player to specified originsvgravity #Set Gravity (# = number)svstopspeed #Set Minimum Stopping Speed on Ground (# = number)svfriction #Set World Friction (# = number)svbounce #Sets bounce multiplier for physically object collisions (# = number)svmaxvelocity #Sets Maximum Velocity of moving object (# = number)svwaterdist #Set Vertical View when eyes are near water plane.
(# = number)airdensity #Change the density of air. (# = number).